Staff Reports
In a recent revelation, former President Trump made waves by poking fun at actor Mark Hamill, who is best known for his role as Luke Skywalker. Trump quipped that he might just be a pinch more of a paternal figure to Hamill than Yoda, hinting at the absurdity of Hollywood’s disdain for him. The left, with Hamill leading the charge, seems to think their barbs at Trump can land any blows—spoiler alert: they can’t. This anecdote serves as yet another example of the entertainment industry’s embarrassing obsession with insulting those on the right.
Mark Hamill's pants fall down and he tries to play it off.
🤣🤣🤣pic.twitter.com/mnHzgmbk9S— Script Trooper (@ScriptTrooper) February 18, 2025
Across the pond, the BAFTA awards, which are the UK’s answer to the Academy Awards, saw actor David Tennant unleash a flurry of Trump-themed insults. In a remarkable display of creativity, Tennant compared Trump to various horror figures and cartoon villains. The audience, filled with those all-too-ready to pile on, clapped in approval, resembling a group of North Korean generals welcoming their leader. If only the left could come up with something original instead of the same tired insults, perhaps their comments might have a semblance of substance.
While tears fell over these comedic jabs, Hamill took center stage, illustrating the left’s inability to escape their bubble. His social media rants paint a picture of a man perpetually worked up over the state of America, yet he remains blissfully unaware of how out of touch he is with the everyday American. His behavior at BAFTA was nothing short of a caricature of the left losing their grip on reality, reminding everyone that when it comes to true comedy, they are a few light years behind, lost somewhere in the galaxy of irrelevance.
Meanwhile, in Germany, actor Mark Ruffalo couldn’t resist piling on with his own tragedy-filled film where he portrays a “fascist” tyrant with red-hat-wearing henchmen. What a stretch for creativity! The New York Times eagerly hails the film as an artistic triumph of Trump derangement syndrome, labeling it the “first proper Trump Era 2.0 movie.” This dramatic portrayal embodies the left’s obsession with casting Trump supporters as villains while conveniently ignoring the absurdity of their own narratives.
Amidst this Hollywood frenzy, concerns have emerged from actors like Ben Stiller, who fear a backlash from their Trump-hating peers. Yet, the exterior reality shows no sign of encroaching danger. They shouldn’t worry about dark helicopters swooping down; their status still reigns supreme—even as their portrayals of “MAGA-hat-wearing dolts” dominate their narrative. The truth remains that their tired antics only highlight the disconnect they have with mainstream America, which is largely unbothered by their fictitious follies.
As the left lunges at Trump with their flimsy jabber, it becomes clear—they might want to reconsider who they are trying to fool. Trump’s influence continues to reshape the conversation, leaving Democrats scratching their heads as Hollywood flounders. Mark Hamill and his crew may want to pick up their dignity off the floor and realize that America isn’t buying what they’re selling. The sky isn’t falling, it’s just that the left’s pants are falling down.
