Staff Reports
Many people enjoy movies not just for their stories but also for the unforgettable music that accompanies them. One of the greatest composers in Hollywood history, John Williams, has created some of the most iconic scores, enriching films like “Star Wars,” “Jaws,” and “Harry Potter.” However, a look behind the curtain reveals that Williams’ genius often comes from his ability to draw inspiration from the great classical composers that came before him. This blending of classical motifs with modern storytelling techniques allows Williams to create music that resonates deeply with audiences.
Take, for example, the score of “Star Wars.” It’s widely acknowledged that Williams borrowed elements from Gustav Holst’s orchestral suite, “The Planets.” The march-like rhythm of Holst’s “Mars, Bringer of War” is incredibly similar to the famous Empire theme in “Star Wars.” This connection is not just a casual observation; it brings to light how 20th-century interests in space exploration influenced both Holst and Williams. As cultures evolve, so too does their art, highlighting the importance of understanding historical context in artistic creation.
When it comes to the infamous score of “Jaws,” Williams did not simply dream up a two-note theme in isolation. Instead, he appears to have taken a page from Antonín Dvořák, specifically his Ninth Symphony, known as the “New World Symphony.” The opening notes of “Jaws” parallel the very final movement of Dvořák’s piece, showcasing that even a piece as original as “Jaws” is rooted in classical tradition. It demonstrates that some of the most successful ideas are often built upon the foundations laid by earlier composers.
The trend continues with “Harry Potter,” where Williams was also inspired by Igor Stravinsky’s “Firebird Suite.” By incorporating elements from classical music, he crafts soundscapes that are not only enchanting but also evoke the sense of magic that permeates J.K. Rowling’s wizarding world. Even Tchaikovsky’s famous “Nutcracker” finds its resonance in the “Hedwig’s Theme,” revealing how delightful it can be to notice the echoes of classical music in contemporary film scores.
It is essential to note how this mastering of influences sets John Williams apart from his peer composers. Many can create pleasant soundscapes, but few have the dedication to develop their craft to such an extent. Williams has spent his life exploring music in all its forms, making him one of the finest composers of our time. It is not merely talent but also hard work and scholarly understanding that creates greatness. Compare him to other composers in the industry, and the difference becomes clear: while they may have individual talent, none exhibit the same mastery and understanding of musical tradition.
In conclusion, John Williams brilliantly combines the rich legacy of classical music with modern film scoring. His ability to reference and draw from great composers is not only a testament to his understanding of music but also enriches the cinematic experience for audiences. By looking back at classical influences, filmmakers and composers can continue to shape the stories of the present and future. So the next time someone hears that iconic “Star Wars” theme or the eerie notes of “Jaws,” they might just find themselves with a newfound appreciation for the composers who paved the way. After all, even Hollywood’s greatest hits are built on the shoulders of giants.
